Deprecated: Using ${var} in strings is deprecated, use {$var} instead in /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php on line 996

Deprecated: Using ${var} in strings is deprecated, use {$var} instead in /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php on line 996

Deprecated: Using ${var} in strings is deprecated, use {$var} instead in /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php on line 1569

Deprecated: Using ${var} in strings is deprecated, use {$var} instead in /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php on line 2308

Deprecated: Using ${var} in strings is deprecated, use {$var} instead in /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php on line 3171

Deprecated: Using ${var} in strings is deprecated, use {$var} instead in /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php on line 3177

Deprecated: Using ${var} in strings is deprecated, use {$var} instead in /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php on line 3312

Deprecated: Creation of dynamic property WPtouchProFour::$settings_object is deprecated in /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/wptouch/core/class-wptouch-pro.php on line 82

Warning: Cannot modify header information - headers already sent by (output started at /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php:996) in /homepages/13/d581221706/htdocs/Lotus/wp-includes/rest-api/class-wp-rest-server.php on line 1831

Warning: Cannot modify header information - headers already sent by (output started at /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php:996) in /homepages/13/d581221706/htdocs/Lotus/wp-includes/rest-api/class-wp-rest-server.php on line 1831

Warning: Cannot modify header information - headers already sent by (output started at /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php:996) in /homepages/13/d581221706/htdocs/Lotus/wp-includes/rest-api/class-wp-rest-server.php on line 1831

Warning: Cannot modify header information - headers already sent by (output started at /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php:996) in /homepages/13/d581221706/htdocs/Lotus/wp-includes/rest-api/class-wp-rest-server.php on line 1831

Warning: Cannot modify header information - headers already sent by (output started at /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php:996) in /homepages/13/d581221706/htdocs/Lotus/wp-includes/rest-api/class-wp-rest-server.php on line 1831

Warning: Cannot modify header information - headers already sent by (output started at /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php:996) in /homepages/13/d581221706/htdocs/Lotus/wp-includes/rest-api/class-wp-rest-server.php on line 1831

Warning: Cannot modify header information - headers already sent by (output started at /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php:996) in /homepages/13/d581221706/htdocs/Lotus/wp-includes/rest-api/class-wp-rest-server.php on line 1831

Warning: Cannot modify header information - headers already sent by (output started at /homepages/13/d581221706/htdocs/Lotus/wp-content/plugins/updraftplus/class-updraftplus.php:996) in /homepages/13/d581221706/htdocs/Lotus/wp-includes/rest-api/class-wp-rest-server.php on line 1831
{"id":236,"date":"2013-04-09T16:13:48","date_gmt":"2013-04-09T16:13:48","guid":{"rendered":"http:\/\/colinchapmanmuseum.org.uk\/?page_id=236"},"modified":"2022-06-24T08:19:36","modified_gmt":"2022-06-24T08:19:36","slug":"design-decades-1970-1979","status":"publish","type":"page","link":"http:\/\/www.colinchapmanmuseum.co.uk\/?page_id=236","title":{"rendered":"Design Decades 1970 – 1979"},"content":{"rendered":"

Lotus: Design Decades: 1970 -1979<\/strong><\/p>\n

Introduction<\/strong><\/p>\n

This series has been created specifically by the A&R to explore how wider social and cultural events and design interacted. In particular it seeks to demonstrate the extent that Lotus designs influenced taste, fashion, identity and impacted on the world stage.
\nThe additional purposes and opportunities are:<\/p>\n

    \n
  1. \n
    Looking at realistic time frame show how the jigsaw and production\/ income and competition success of Lotus varied<\/div>\n<\/li>\n
  2. \n
    Exploring the complex dynamics between design, society and manufacturing. Along the way we can analyse Colin Chapman as an entrepreneur manufacturer versus the engineer and motor sport strategist. [Team Owner]<\/div>\n<\/li>\n
  3. \n
    Not least the topic lends itself to exhibition where the many facets of the decade can be presented in context and interactively interpreted. This ought have considerable commercial opportunity for sponsorship<\/div>\n<\/li>\n<\/ol>\n

    In future editions we will explore in turn the remaining decades of Colin Chapman and Lotus cars.<\/p>\n

    In this article we hope to capture some of the complex dynamics of the era .For some it is viewed as the start of a modern Britain. For others it divided the nation and created scars that have never been healed. The decade of the 70\u2019s appears polarized. At its start there was still some Hippy Chick and Maharishi transcendental idealism and Hare Krishna processions through London, at the end the Punks. The film \u201cA Clockwork Orange\u201d is helpful introduction to the times and aspects of the mild anarchy \/ irreverence.
    \nIn the process it is hoped that the material presented can be assembled for a future interactive exhibition. This ought to graphically and memorably illustrate the power and impact that gave Lotus such a lasting, enduring design code, methodology and mantra.
    \nThis article includes a timeline in order that the respect historical and technological influences and forces can be seen in their interactive context.<\/p>\n

    Broad Interpretation of the Decade-The <\/strong>Abrupt Transition<\/strong><\/p>\n

    The 20th Century quotes:
    \n\u201d For many people it was the decade of disillusionment. The years in which the heady idealism of the 1960\u2019s the belief of millions of young people that they could really change the world, collapsed into cynicism and bitterness. From the ashes of revolutionary fervour arose the ugly phoenix of terrorism\u2026[and continued] \u2026\u2026 It was a decade of economic decline and industrial unrest in Western Democracies .The swingeing OPEC oil price rise that followed in the wake of the Yom Kippur War sent shock waves through the industrial world. In Britain the governments of right and left seemed equally unable to arrest the decent into economic chaos, of which the three day week working week and the \u201cwinter of discontent\u201d became potent symbols\u201d.<\/p>\n

    In the late 60\u2019s and 70\u2019s there were riots and rebellion. Britain experienced anxiety, instability, shock and alienation part brought on by the Oil Crisis. A portion of maturing youth reacted against consumerism, corporatism and multi nationals. We witnessed the early launch of the environmental movement ecological considerations and humanitarianism. There were other profound societal changes and divisions taking place.<\/p>\n

    In the late 70\u2019s and 80\u2019s the British pendulum swung away from the welfare emphasis to that of monetarism of the Thatcher era. Possible consistent with this economic view was the belief that manufacturing could not be saved nether could it compete with low wage Asian labour. The information technology era suggested that a nations economy might prosper from \u201cinvisible earnings\u201d and the conduct\/ administration of finance, banking, insurance, and the geometric spiral expansion of mortgage finance and credit. Risebero graphically illustrates the form and function \/ motivation that saw the era becomes one dominated by corporatism and the associated high-rise buildings e.g. the Nat-West Tower and the eventual emergence of Canary Wharf. Some of the other technological innovations of the era were fibre optics, microwave ovens, VCRS and at a later stage e commerce.<\/p>\n

    <\/strong>In the decade of the 70\u2019 idealism and hedonism quickly died to be replaced by disillusionment most probably prompted by rapid economic decline. Inflation rose inexorably. Culturally and socially the previous newly established liberalism would extend and gay rights and a self-expression of the androgynous and Glam Rock through the feminist movement that achieved legal status. [Part of package that would eventually include Sex, Race and Equal Pay] .The 1970s possessed its own contradictions as pornography expanded and there were two significant obscenity trials- \u201cThe Little Red School Book\u2019 and Oz 28 \u2013School kids Issue.
    \nThe government attempted to modernize and the catch phrase was <\/strong>Modern Man and modern times. New materialism with ambition was hoped and expected but external world events particularly oil militated against much of this. Despite considerable economic difficulty Britain benefited from North Sea oil. However some might contend this was used to conceal or mitigate against the severe structural changes and unemployment. Its role palliative and hence many of the underlying problems still remain today.<\/p>\n

    During the 70\u2019s Britain built some of its second generation New Towns like Milton Keynes and Peterborough. Along with these the movement of out of town shopping malls started [again a reference to the seeds of decline in town centers]. Gentrification continued in many cities and home ownership expanded in the new sub-urban areas aided by the growth of Building Societies and powerful property developers. Looking back it might seem that the inflationary property price spiral started in the 70\u2019s property race.<\/p>\n

    Package holidays really started in the 70\u2019s for those with the income to afford travel.
    \nThere were other significant societal changes. Some became concerned for the environment and a new craft tradition in design and manufacture occurred. Alongside this developed an anti war movement, feminism and Civil Rights<\/p>\n

    In 1979 Mrs. Thatcher became the first woman Prime Minister<\/p>\n

    Chronology and Time Line: – Major Social, Technical Cultural Events and Design Icons of the Decade. [Design\/ science\/ technical in Italic]<\/em><\/strong><\/p>\n

    1970<\/p>\n

      \n
    • \n
      USA troops sent to Cambodia<\/div>\n<\/li>\n
    • \n
      The Equal Pay Act.UK<\/div>\n<\/li>\n
    • \n
      Ted Heath leads conservative government<\/div>\n<\/li>\n
    • \n
      Refuse collectors strike in London<\/div>\n<\/li>\n
    • \n
      British army in Belfast uses rubber bullets<\/div>\n<\/li>\n
    • \n
      Blacks and police clash in Notting Hill, London, UK<\/div>\n<\/li>\n
    • \n
      Jimmy Hendrix dies of drug overdose<\/div>\n<\/li>\n
    • \n
      The Beatles, Hippies and the Maharishi [Love Light and Peace]<\/div>\n<\/li>\n
    • \n
      Boing 747 enters commercial service<\/em><\/div>\n<\/li>\n
    • \n
      IBM floppy disc launched<\/em><\/div>\n<\/li>\n
    • \n
      First low cost optical fibre<\/em><\/div>\n<\/li>\n
    • \n
      Omstack Chair by Rodney Kinsman<\/em><\/div>\n<\/li>\n<\/ul>\n

      1971<\/p>\n

        \n
      • \n
        Jesus Christ Super Star by Andrew Lloyd Webber.UK<\/div>\n<\/li>\n
      • \n
        Civil War in Pakistan<\/div>\n<\/li>\n
      • \n
        Rolls Royce declared bankrupt in UK<\/div>\n<\/li>\n
      • \n
        Greenpeace opposes nuclear testing<\/div>\n<\/li>\n
      • \n
        UK adopts decimal currency<\/div>\n<\/li>\n
      • \n
        Open University starts in UK<\/div>\n<\/li>\n
      • \n
        Hot pants fashion<\/div>\n<\/li>\n
      • \n
        Ms.magazine launched<\/div>\n<\/li>\n
      • \n
        Idi Amin policies have repercussions in UK<\/div>\n<\/li>\n
      • \n
        Voyager I&II space probe launched<\/em><\/div>\n<\/li>\n
      • \n
        Apollo 15 drive on moon<\/em><\/div>\n<\/li>\n
      • \n
        Soviet space craft docks with space station. Later 3 cosmonoughts die<\/em><\/div>\n<\/li>\n
      • \n
        Roger Tallon designs train for SNCF<\/em><\/div>\n<\/li>\n
      • \n
        Renault 5 launched<\/em><\/div>\n<\/li>\n
      • \n
        Experiments with electrical cars\/ vans e.g. Compton Leyland Electricars in UK<\/em><\/div>\n<\/li>\n
      • \n
        Erskine Bridge over the Clyde<\/em><\/div>\n<\/li>\n
      • \n
        Second Mersey Tunnel<\/em><\/div>\n<\/li>\n<\/ul>\n

        1972<\/p>\n

          \n
        • \n
          SALT talks<\/div>\n<\/li>\n
        • \n
          Miners strike, UK<\/div>\n<\/li>\n
        • \n
          Cosmopolitan magazine launched in UK linked to feminism movement<\/div>\n<\/li>\n
        • \n
          Poulson corruption trial in UK<\/div>\n<\/li>\n
        • \n
          Spaghetti Junction .UK<\/div>\n<\/li>\n
        • \n
          LCD watches launched<\/em><\/div>\n<\/li>\n
        • \n
          Nike company founded starting craze in running shoes<\/em><\/div>\n<\/li>\n
        • \n
          Texas introduce pocket electronic calculator<\/em><\/div>\n<\/li>\n
        • \n
          E mail invented<\/em><\/div>\n<\/li>\n
        • \n
          Frank Gehry\u2019s Easy Edges and Wiggleside chair<\/em><\/div>\n<\/li>\n<\/ul>\n

          1973<\/p>\n

            \n
          • \n
            First Oil Crisis; 70% increase in oil price leads to economic crisis in UK<\/div>\n<\/li>\n
          • \n
            UK joins EEC<\/div>\n<\/li>\n
          • \n
            Queen Elisabeth II opens Sydney Opera House<\/div>\n<\/li>\n
          • \n
            Value Added Tax introduced in UK<\/div>\n<\/li>\n
          • \n
            Invention of Spandex<\/em><\/div>\n<\/li>\n
          • \n
            NASA launches Skylab<\/em><\/div>\n<\/li>\n
          • \n
            Bic invents disposable lighter<\/em><\/div>\n<\/li>\n
          • \n
            Marin invents mountain bike<\/em><\/div>\n<\/li>\n
          • \n
            Firs commercial fax<\/em><\/div>\n<\/li>\n
          • \n
            Skylab launched and put in orbit<\/em><\/div>\n<\/li>\n
          • \n
            Verner Paton\u2019s System 1-2-3 chair<\/em><\/div>\n<\/li>\n<\/ul>\n

            1974<\/p>\n

              \n
            • \n
              First McDonalds restaurant in London. UK<\/div>\n<\/li>\n
            • \n
              Harold Wilson leads labour government later agree \u201csocial contract\u201d<\/div>\n<\/li>\n
            • \n
              Miners strike<\/div>\n<\/li>\n
            • \n
              Gilda Meir re-elected in Israel<\/div>\n<\/li>\n
            • \n
              GM introduces catalyst converters<\/div>\n<\/li>\n
            • \n
              Spandex revoluntionises lightweight clothes<\/em><\/div>\n<\/li>\n
            • \n
              Smart card stores information<\/em><\/div>\n<\/li>\n
            • \n
              Us spacecraft Mariner photographs Mercury<\/em><\/div>\n<\/li>\n
            • \n
              Verner Paton\u2019s Sitting Wheel<\/em><\/div>\n<\/li>\n<\/ul>\n

              1975<\/p>\n

                \n
              • \n
                Vietnam War Ends<\/div>\n<\/li>\n
              • \n
                North Sea oil piped ashore<\/div>\n<\/li>\n
              • \n
                Sex Discrimination Act passed in UK<\/div>\n<\/li>\n
              • \n
                Suez Canal reopened<\/div>\n<\/li>\n
              • \n
                David Hockney holds exhibition in Paris<\/div>\n<\/li>\n
              • \n
                Famine in Ethiopia and Bangladesh<\/div>\n<\/li>\n
              • \n
                IRA bombings<\/div>\n<\/li>\n
              • \n
                Charles Jenks writes \u201cPost Modernism\u201d<\/div>\n<\/li>\n
              • \n
                Microcomputers for sale in USA<\/em><\/div>\n<\/li>\n
              • \n
                American and Soviet spacecraft dock<\/em><\/div>\n<\/li>\n
              • \n
                X ray body scanner developed<\/em><\/div>\n<\/li>\n
              • \n
                Craft Revival Smokers chair by Richard la Trobe-Bateman<\/em><\/div>\n<\/li>\n
              • \n
                IBM launches lazer printer<\/em><\/div>\n<\/li>\n
              • \n
                Bic disposable razor<\/em><\/div>\n<\/li>\n
              • \n
                Apple computer introduced<\/em><\/div>\n<\/li>\n
              • \n
                Solar heated house by Milton Keynes Development Corporation<\/em><\/div>\n<\/li>\n
              • \n
                Parker 25 Pen range by Kenneth Grange<\/em><\/div>\n<\/li>\n<\/ul>\n

                1976<\/p>\n

                  \n
                • \n
                  Callaghan replaces Wilson as prim minister<\/div>\n<\/li>\n
                • \n
                  America celebrates its bicentennial<\/div>\n<\/li>\n
                • \n
                  Jimmie Cater elected US president<\/div>\n<\/li>\n
                • \n
                  Riots in South Africa [Trouble in Soweto<\/div>\n<\/li>\n
                • \n
                  Carl Andre\u2019s \u201cLow Sculpture\u201d \u2013 fire bricks<\/div>\n<\/li>\n
                • \n
                  Concorde makes commercial flight with BA<\/em><\/div>\n<\/li>\n
                • \n
                  BR introduces high speed trains in UK design input from Kenneth Grange [Pentagram]<\/em><\/div>\n<\/li>\n
                • \n
                  Viking I lands on Mars<\/em><\/div>\n<\/li>\n
                • \n
                  Super computer<\/em><\/div>\n<\/li>\n
                • \n
                  National Exhibition Centre, Birmingham<\/em><\/div>\n<\/li>\n
                • \n
                  Shiro Kuramata\u2019s glass chair and chest of draws<\/em><\/div>\n<\/li>\n<\/ul>\n

                  1977<\/p>\n

                    \n
                  • \n
                    Queen Elizabeth II Silver Jubilee<\/div>\n<\/li>\n
                  • \n
                    Bhutto People\u2019s party launched in Pakistan<\/div>\n<\/li>\n
                  • \n
                    Death of Biko in South Africa<\/div>\n<\/li>\n
                  • \n
                    Elvis Presley found dead<\/div>\n<\/li>\n
                  • \n
                    Sir Freddie Laker launches Skytrain<\/div>\n<\/li>\n
                  • \n
                    The first mass produced personal computer launched \u2013the Apple II<\/em><\/div>\n<\/li>\n
                  • \n
                    Chinese Ivory cutlery by David Mellor<\/em><\/div>\n<\/li>\n
                  • \n
                    Concept teaset by Martin Hunt<\/em><\/div>\n<\/li>\n<\/ul>\n

                    1978<\/p>\n

                      \n
                    • \n
                      Us and china to establish diplomatic relations<\/div>\n<\/li>\n
                    • \n
                      Revolution in Afghanistan<\/div>\n<\/li>\n
                    • \n
                      Unrest in Iran<\/div>\n<\/li>\n
                    • \n
                      Phillips markets Laserdisc<\/em><\/div>\n<\/li>\n
                    • \n
                      Konica introduces first point to shoot auto focus camera<\/em><\/div>\n<\/li>\n
                    • \n
                      Vitro fertilization<\/em><\/div>\n<\/li>\n
                    • \n
                      Alessandro Mendini Prosut chair<\/em><\/div>\n<\/li>\n<\/ul>\n

                      1979<\/p>\n

                        \n
                      • \n
                        Margaret Thatcher becomes Conservative Prime minister and first female post holder in UK<\/div>\n<\/li>\n
                      • \n
                        Seb Coe broke three world records<\/div>\n<\/li>\n
                      • \n
                        Evita the musical opens in Broadway<\/div>\n<\/li>\n
                      • \n
                        Disaster at Three Mile Island; US nuclear accident<\/div>\n<\/li>\n
                      • \n
                        SALT II<\/div>\n<\/li>\n
                      • \n
                        Coup in Iran<\/div>\n<\/li>\n
                      • \n
                        Soviets invade Afghanistan<\/div>\n<\/li>\n
                      • \n
                        Prestel computer information service launched<\/em><\/div>\n<\/li>\n
                      • \n
                        Sony launch Walkman radio<\/em><\/div>\n<\/li>\n
                      • \n
                        The first spread sheet programme, called \u201cVisiCalc\u201d released<\/em><\/div>\n<\/li>\n
                      • \n
                        Compact disc<\/em><\/div>\n<\/li>\n
                      • \n
                        First laser printer<\/em><\/div>\n<\/li>\n
                      • \n
                        Laminated Birch chair by John Pinder<\/em><\/div>\n<\/li>\n
                      • \n
                        Ash Occasional Range by Dinah Casson<\/em><\/div>\n<\/li>\n
                      • \n
                        Tipster Chair by Robert Heritage & Roger Webb<\/em><\/div>\n<\/li>\n
                      • \n
                        Dafne folding chair by Gastone Rinaldi<\/em><\/div>\n<\/li>\n<\/ul>\n

                        Comparative Costs and Prices seen through 1971 AA motoring cost survey.<\/strong><\/p>\n

                        In 1971 the AA estimated that the cost of running a modest family saloon was between \u00a38-9 a week. To run a mini for an average 10,000 miles a year cost \u00a38.08 a week and a Viva or Cortina 1600 \u00a39.55 a week. The RAC suggested a 2.3 -3 litre capacity 8.83p mile. The RAC figures included driving licence, insurance, road tax, petrol, oil, servicing, repairs, depreciation, garaging and membership.<\/p>\n

                        Car Comparisons and Car of the Year 1971<\/strong><\/p>\n

                        The Car of the year is conducted by Car magazine. The 1971 awards in descending order were:<\/p>\n

                          \n
                        • Citroen G8<\/li>\n
                        • Range Rover<\/li>\n
                        • Citroen SM<\/li>\n
                        • Volkswagen K70<\/li>\n
                        • Lamborghini Urraco<\/li>\n
                        • Triumph Stag<\/li>\n<\/ul>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                          Car comparisons 1970 – detail <\/strong><\/td>\n“Motor” August 23rd 1973<\/strong><\/td>\n<\/tr>\n
                          Marque<\/td>\nModel<\/td>\nPrice<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Alfa Romeo<\/td>\n2000S’Velo’<\/td>\n\u00a32949<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Alfa Romeo<\/td>\nMontreal<\/td>\n\u00a34999<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Clan<\/td>\nCrusader<\/td>\n\u00a31469<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Datsun<\/td>\n240Z<\/td>\n\u00a32535<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          De Tomaso<\/td>\nPantera<\/td>\n\u00a36399<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Ferrari<\/td>\n246 GT Dino<\/td>\n\u00a36000<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Ferrari<\/td>\nGTB\/4<\/td>\n\u00a310,490<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Fiat<\/td>\nX1\/9<\/td>\n\u00a3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Ginetta<\/td>\nG21<\/td>\n\u00a31875<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Jaguar<\/td>\nV12 E Type<\/td>\n\u00a33580<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Jensen-Healey<\/td>\n\u00a31931<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Lamborgh’<\/td>\nUrraco<\/td>\n\u00a37567<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Lamborgh’<\/td>\nCountach<\/td>\n\u00a316314<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Lotus<\/strong><\/td>\nElan Sprint<\/strong><\/td>\n\u00a32436<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Lotus<\/strong><\/td>\nEuropa Spec<\/strong><\/td>\n\u00a32436<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Lotus<\/strong><\/td>\nSeven S4<\/strong><\/td>\n\u00a31487<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Lotus<\/strong><\/td>\nEsprit<\/strong><\/td>\n\u00a37883*<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Maserati<\/td>\nBora<\/td>\n\u00a39831<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Matra Simca<\/td>\nBagheera<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          M.G.<\/td>\nMidget<\/td>\n\u00a3988<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          M.G.<\/td>\nB.GT<\/td>\n\u00a31547<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Morgan<\/td>\nPlus 8<\/td>\n\u00a31966<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Opel<\/td>\nGT<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Panther<\/td>\nJ72 SE<\/td>\n\u00a35285<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Porsche<\/td>\n911S<\/td>\n\u00a36235<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Triumph<\/td>\nSpitfire<\/td>\n\u00a31067<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Triumph<\/td>\nTR6 P!<\/td>\n\u00a31605<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          TVR<\/td>\n3000M<\/td>\n\u00a32464<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          VW-Porsche<\/td>\n914 SC<\/td>\n\u00a32774<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          * And below not included in “Motor\u201d article.<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Renault<\/td>\n\n

                          5<\/p>\n<\/td>\n

                          \u00a3854<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Alfa Sud<\/td>\n<\/td>\n\u00a31399<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Lancia<\/td>\nStratos<\/td>\n\u00a33437<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Saab<\/td>\nTurbo<\/td>\n\u00a37850<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                          Range Rover<\/td>\n\u00a31998<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                           <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                          Car Comparisons.1948-<\/td>\n<\/tr>\n
                          Marque<\/strong><\/td>\n1970’s<\/strong><\/td>\n<\/tr>\n
                          Abarth<\/td>\n<\/td>\n<\/tr>\n
                          A.C<\/td>\n\n

                          427<\/p>\n<\/td>\n<\/tr>\n

                          Alfa-R<\/td>\nMontreal<\/td>\n<\/tr>\n
                          Alfa-R<\/td>\n2000S’Velo’<\/td>\n<\/tr>\n
                          Allard<\/td>\n<\/td>\n<\/tr>\n
                          Alvis<\/td>\n<\/td>\n<\/tr>\n
                          Aston Martin<\/td>\nDBS<\/td>\n<\/tr>\n
                          Austin<\/td>\n<\/td>\n<\/tr>\n
                          Austin Heal<\/td>\n<\/td>\n<\/tr>\n
                          Bentley<\/td>\nTI<\/td>\n<\/tr>\n
                          Berkley<\/td>\n<\/td>\n<\/tr>\n
                          BMW<\/td>\n\n

                          2500<\/p>\n<\/td>\n<\/tr>\n

                          Bond<\/td>\n<\/td>\n<\/tr>\n
                          Bristol<\/td>\n\n

                          411<\/p>\n<\/td>\n<\/tr>\n

                          Britannia<\/td>\n<\/td>\n<\/tr>\n
                          Buckler<\/td>\n<\/td>\n<\/tr>\n
                          Caterham<\/td>\nSeven<\/td>\n<\/tr>\n
                          Cisitalia<\/td>\n<\/td>\n<\/tr>\n
                          Citroen<\/td>\nSM<\/td>\n<\/tr>\n
                          Clan<\/td>\nCrusader<\/td>\n<\/tr>\n
                          Costin<\/td>\nAmigo<\/td>\n<\/tr>\n
                          Daimler<\/td>\n<\/td>\n<\/tr>\n
                          Datsun<\/td>\n240Z<\/td>\n<\/tr>\n
                          Dellow<\/td>\n<\/td>\n<\/tr>\n
                          De Tomaso<\/td>\nPantera<\/td>\n<\/tr>\n
                          Elva<\/td>\n<\/td>\n<\/tr>\n
                          Facel Vega<\/td>\n<\/td>\n<\/tr>\n
                          Fairthorpe<\/td>\nTX -GT<\/td>\n<\/tr>\n
                          Ferrari<\/td>\nDino 246 GT<\/td>\n<\/tr>\n
                          Ferrari<\/td>\nGTB\/4<\/td>\n<\/tr>\n
                          Fiat<\/td>\nDino 2000<\/td>\n<\/tr>\n
                          Fiat<\/td>\nX1\/9<\/td>\n<\/tr>\n
                          Ford<\/td>\nEscort<\/td>\n<\/tr>\n
                          Ford<\/td>\n<\/td>\n<\/tr>\n
                          Frazer Nash<\/td>\n<\/td>\n<\/tr>\n
                          Gilbern<\/td>\nInvader<\/td>\n<\/tr>\n
                          Ginetta<\/td>\nG15<\/td>\n<\/tr>\n
                          Ginetta<\/td>\nG21<\/td>\n<\/tr>\n
                          Gordon Ke’<\/td>\n<\/td>\n<\/tr>\n
                          GSM<\/td>\n<\/td>\n<\/tr>\n
                          Healey<\/td>\n<\/td>\n<\/tr>\n
                          Heron<\/td>\n<\/td>\n<\/tr>\n
                          Hillman<\/td>\nAvenger<\/td>\n<\/tr>\n
                          Honda<\/td>\n<\/td>\n<\/tr>\n
                          HRG<\/td>\n<\/td>\n<\/tr>\n
                          Iso<\/td>\nLele<\/td>\n<\/tr>\n
                          Jaguar<\/td>\nXJ-S<\/td>\n<\/tr>\n
                          Jaguar<\/td>\nE type V12<\/td>\n<\/tr>\n
                          Jensen<\/td>\nInterceptor<\/td>\n<\/tr>\n
                          Jensen<\/td>\nHealey<\/td>\n<\/tr>\n
                          Jowett<\/td>\n<\/td>\n<\/tr>\n
                          Kieft<\/td>\n<\/td>\n<\/tr>\n
                          Lagonda<\/td>\n<\/td>\n<\/tr>\n
                          Lamborghini<\/td>\nEspada<\/td>\n<\/tr>\n
                          Lamborghini<\/td>\nUrraco<\/td>\n<\/tr>\n
                          Lamborghini<\/td>\nCountach<\/td>\n<\/tr>\n
                          Lancia<\/td>\n<\/td>\n<\/tr>\n
                          Lea Francis<\/td>\n<\/td>\n<\/tr>\n
                          Lister<\/td>\n<\/td>\n<\/tr>\n
                          LMB<\/td>\n<\/td>\n<\/tr>\n
                          Marcos<\/td>\nMantis<\/td>\n<\/tr>\n
                          Maserati<\/td>\nGhibli<\/td>\n<\/tr>\n
                          Maserati<\/td>\nBora<\/td>\n<\/tr>\n
                          Matra Simca<\/td>\nBagheera<\/td>\n<\/tr>\n
                          Mazda<\/td>\n<\/td>\n<\/tr>\n
                          Mercedes B<\/td>\n280SL<\/td>\n<\/tr>\n
                          MG<\/td>\nMidget<\/td>\n<\/tr>\n
                          Mini<\/td>\n<\/td>\n<\/tr>\n
                          Monteverdi<\/td>\nHAI 450SS<\/td>\n<\/tr>\n
                          Morgan<\/td>\nPlus 8<\/td>\n<\/tr>\n
                          Morris<\/td>\n\n

                          1800<\/p>\n<\/td>\n<\/tr>\n

                          NSU<\/td>\n<\/td>\n<\/tr>\n
                          Ogle<\/td>\n<\/td>\n<\/tr>\n
                          Opel<\/td>\nGT<\/td>\n<\/tr>\n
                          Panther<\/td>\nJ72 SE<\/td>\n<\/tr>\n
                          Pegaso<\/td>\n<\/td>\n<\/tr>\n
                          Piper<\/td>\n<\/td>\n<\/tr>\n
                          Porsche<\/td>\n911S<\/td>\n<\/tr>\n
                          Reliant<\/td>\nScimitar<\/td>\n<\/tr>\n
                          Rochdale<\/td>\n<\/td>\n<\/tr>\n
                          Rolls-Royce<\/td>\nCorniche<\/td>\n<\/tr>\n
                          Rover<\/td>\n<\/td>\n<\/tr>\n
                          RangeRover<\/td>\n<\/tr>\n
                          Saab<\/td>\n\n

                          99<\/p>\n<\/td>\n<\/tr>\n

                          Sunbeam<\/td>\nRapier<\/td>\n<\/tr>\n
                          Tornado<\/td>\n<\/td>\n<\/tr>\n
                          Trident<\/td>\n<\/td>\n<\/tr>\n
                          Triumph<\/td>\nStag<\/td>\n<\/tr>\n
                          Triumph<\/td>\nSpitfire IV<\/td>\n<\/tr>\n
                          Triumph<\/td>\nTR6 P1<\/td>\n<\/tr>\n
                          Turner<\/td>\n<\/td>\n<\/tr>\n
                          TVR<\/td>\nTuscan V6<\/td>\n<\/tr>\n
                          TVR<\/td>\nM-Series<\/td>\n<\/tr>\n
                          Vauxhall<\/td>\n<\/td>\n<\/tr>\n
                          VW<\/td>\n<\/td>\n<\/tr>\n
                          VW-Porsche<\/td>\n914 SC<\/td>\n<\/tr>\n
                          Volvo<\/td>\n\n

                          142<\/p>\n<\/td>\n<\/tr>\n

                          Wolseley<\/td>\n18\/85<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                          <\/strong>Colin Chapman \/Lotus<\/strong><\/p>\n

                          The decade of the 70\u2019s continued with momentum and success. During the decade they became well established at Hethel. They produced the 72,Elite, 76, Elcat, 77,78,Esprit and 79 and enjoyed further collaboration with the Sunbeam Lotus. The Lotus engine was sold in some volume for the Jensen-Healey.
                          \nAlong the way gaining a further World Championships [along with John Player sponsorship] and in competition design introducing \u201cground effect\u201d and many other elements which have essentially remained to the present day. Lotus also went up-market in this period to compete against prestige marques competing in very difficult economic times. Their iconic status was reinforced with the inclusion in the Bond films.
                          \nHowever the new cars were possibly underdeveloped and there may have been quality issues. They were not a great commercial success. The oil crisis could not have been easily predicted and the British motor industry was rather bland and struggled through the period [see chart of comparisons and the socio- economic and political situation prevailing in UK]
                          \nThe difficulty all carmakers faced included: –<\/p>\n

                          \n
                            \n
                          • Fuel Crisis \u2013 price petrol and disproportionate impact on larger engines and performance cars<\/li>\n
                          • Societal reaction against performance cars and their status and perhaps an increased demand for smaller cars [the Elite was relatively well placed with its economic engine]<\/li>\n
                          • Rising insurance<\/li>\n
                          • Safety concerns and legislation particularly in America with export implications<\/li>\n
                          • Emission controls again impacting on performance cars.<\/li>\n
                          • Introduction of VAT in UK.<\/li>\n
                          • Inflation<\/li>\n<\/ul>\n<\/div>\n

                            In the period Lotus was floated as a public company. [However there were multiple separate entities across the \u201cfamily\u201d group.] This proved to be mixed blessing .In the 70\u2019s sales were poor. Lotus Cars declared a trading loss in 1975.
                            \nChapman and Lotus would struggle even with consultancy income. Unfortunately we do not have access to the \u201cbooks\u201d and budgets at this stage but just a rough glance at the production figures in relation to estimated overheads is revealing. We don\u2019t know the margins and certainly Lotus were not able to diversify or cross subsidies to a large extent. Despite the production difficulties Lotus did reasonably well on track. It would be good research to examine the interrelationship of budgets at this time. It\u2019s a known fact that FI was increasingly scientific and development costs were rising dramatically across the board. Again it would be good research that discovered the exact funds provided by sponsorship .The feeling is that Chapman did well within the resources and it was creative input that provided the edge. Comparative analysis would provide a more informed and objective means of assessment.<\/p>\n

                            Perhaps too analysis ought examine the relative costs of the competition cars and margins attached to the Sunbeam Lotus. Access to the accounts would be revealing but any researcher has to be realistic regarding the necessity of secrecy regarding these.<\/p>\n

                            During the 1970\u2019s Colin Chapman took an interests in motorboats but this was not particularly successful despite the improved performance concepts he introduced. The market was partly killed by the economic conditions outlined. It has also been suggested that production car manufacture suffered in this decade as Chapman seemed to concentrate his personal resources on FI.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                            Lotus Models 1970-79<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Model<\/td>\nNo<\/td>\nYear Introd’<\/td>\nName<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            69<\/p>\n<\/td>\n

                            \n

                            1970<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            70<\/p>\n<\/td>\n

                            \n

                            1970<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            72<\/p>\n<\/td>\n

                            \n

                            1970<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            73<\/p>\n<\/td>\n

                            \n

                            1972<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            74<\/p>\n<\/td>\n

                            \n

                            1971<\/p>\n<\/td>\n

                            Europa<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            74<\/p>\n<\/td>\n

                            \n

                            1973<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            75<\/p>\n<\/td>\n

                            \n

                            1974<\/p>\n<\/td>\n

                            Elite<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            76<\/p>\n<\/td>\n

                            \n

                            1974<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            76<\/p>\n<\/td>\n

                            \n

                            1975<\/p>\n<\/td>\n

                            Eclat<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            77<\/p>\n<\/td>\n

                            \n

                            1976<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            78<\/p>\n<\/td>\n

                            \n

                            1977<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            79<\/p>\n<\/td>\n

                            \n

                            1976<\/p>\n<\/td>\n

                            Esprit<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            79<\/p>\n<\/td>\n

                            \n

                            1978<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            80<\/p>\n<\/td>\n

                            \n

                            1979<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Type<\/td>\n\n

                            81<\/p>\n<\/td>\n

                            \n

                            1979<\/p>\n<\/td>\n

                            Sunbeam L’<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            <\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                            Total Estimated Production through decade including other models still in range<\/td>\n<\/tr>\n
                            and including competition cars:<\/td>\n\n

                            18,899<\/p>\n<\/td>\n

                            <\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                            Lotus and Formula 1 Results.<\/strong><\/p>\n

                              \n
                            • \n
                              1970 Driver and Constructors Championship- Lotus \u2013Ford 72\/ J.Rint<\/div>\n<\/li>\n
                            • \n
                              1972 Driver and Constructors Championship- Lotus -Ford\/ E.Fittipaldi<\/div>\n<\/li>\n
                            • \n
                              1973 Constructors Cup \u2013Lotus-Ford<\/div>\n<\/li>\n
                            • \n
                              1978 Driver and Constructors Championship-Lotus-Ford\/ M.Andretti<\/div>\n<\/li>\n<\/ul>\n

                              Music \/Pop<\/strong><\/p>\n

                              Individuals and Groups [tendency for groups to reduce through 1970\u2019s]: –<\/p>\n

                                \n
                              • \n
                                Elton John<\/div>\n<\/li>\n
                              • \n
                                Rod Stewart<\/div>\n<\/li>\n
                              • \n
                                Queen<\/div>\n<\/li>\n
                              • \n
                                David Bowie [androgynous and Glam Rock]<\/div>\n<\/li>\n
                              • \n
                                The Kinks<\/div>\n<\/li>\n
                              • \n
                                Slade<\/div>\n<\/li>\n
                              • \n
                                Marc Bolan.T.Rex<\/div>\n<\/li>\n
                              • \n
                                Punk \u2013 Sex Pistols, The Clash and The Dammed<\/div>\n<\/li>\n
                              • \n
                                Bob Marley and reggae<\/div>\n<\/li>\n
                              • \n
                                Bay City Rollers and the Osmond\u2019s<\/div>\n<\/li>\n
                              • \n
                                Pink Floyd<\/div>\n<\/li>\n
                              • \n
                                Fleetwood Mac<\/div>\n<\/li>\n
                              • \n
                                Simon and Garfunckle [Bridge Over Troubled Water]<\/div>\n<\/li>\n
                              • \n
                                Abba<\/div>\n<\/li>\n
                              • \n
                                Disco<\/div>\n<\/li>\n
                              • \n
                                Elton John<\/div>\n<\/li>\n
                              • \n
                                Sex Pistols<\/div>\n<\/li>\n<\/ul>\n

                                Designers <\/strong>
                                \nItalian designers set the pace in the 1970\u2019s.The oil crisis impacted on plastics that had been very influential in the previous decade. For various societal reasons the 1970\u2019s saw a reversion to individual craft production.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                                \nDesigners and Design Icons of the 1970’s<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Designers<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Robin Welch<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                David Mellor<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Peter Simpson<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Frank Thrower<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Kenneth Grange<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Geoffrey Harcourt<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                John Makepiece<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Fred Baier<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Roy Adzak<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Alan Peters<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Clive Sinclair<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Gae Aulenti<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Joe Colombo<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Studio 65<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Alessandro Mendini<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Gruppo Fiocco<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Ettore Sottsaa Jnr<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Enzo Mari<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Anna Castelli Ferrieri<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Mario Bellini<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Verner Paton<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Frank Gehry<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Shiro Kurmata<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Gastone Rinaldi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                Conran Group<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                                The Council for Industrial Design \u2013Awards in 1971 included: –<\/strong><\/p>\n

                                  \n
                                • \n
                                  Prefabricated steel pedestrian bridge by Butterley Engineering<\/div>\n<\/li>\n
                                • \n
                                  Case for back projection of slides by Martyn Rowlands [made by Boots]<\/div>\n<\/li>\n
                                • \n
                                  Avenger 16 power boat with glass-fibre-reinforced plastic hull by Avenger boat Co<\/div>\n<\/li>\n
                                • \n
                                  Spate pump designed and made by W.R.Selwood Ltd<\/div>\n<\/li>\n
                                • \n
                                  Children\u2019s waterproof boots by Globoot Footwear<\/div>\n<\/li>\n
                                • \n
                                  A tensile testing instrument designed by Roy Gray for Instron Ltd<\/div>\n<\/li>\n
                                • \n
                                  Duke of Edinburgh prize to Derek Power for teaching equipment in field of particle physics.<\/div>\n<\/li>\n<\/ul>\n

                                  <\/strong>Fashion and Designers<\/strong><\/p>\n

                                  The decade opened with an extension of the \u201cpeacock revolution \u201d into androgyny and unisex. In many respects it became mainstream and closed with Perms, Punk and the Sex Pistols [parashoot tops, parka jackets Bondage trousers, T-shirts and Doc Marten shoes.] For a brief period there was an anything goes approach.<\/p>\n

                                  \u201cSocial upheaval and the workers strike in the 1970\u2019s Britain encouraged bored working-class teenagers to rebel. Disillusioned by the status quo, disenfranchised youngsters called for social change through support for ant\u2014establishment rock music\u201d<\/p>\n

                                  Along the way there were some considerable contrasts ranging from mini to maxi through midi there was the daring demure hot pants and boots. There was the \u2018layered look\u201d and that of the Gaucho and Conceptual Chic. There were throwbacks to the Victorian era and the 1940\u2019s as a possible return to tradition after the 1960\u2019s.<\/p>\n

                                  The decade is associated with blue denim, bell-bottoms, safari jackets, camouflage wear, [e.g. Army Surplus] male sideburns, droopy mustaches and beards, platform shoes and leisure suits. Big was Beautiful. The arts, film and exhibitions influenced fashion in the decade .The Great Gatsby and Annie Hall had powerful impacts as did ethnic wear in particular orientalism and Chinese influences. Towards the end of the decade the cult of the body began to emerge. During the 1970\u2019s women wore trousers more frequently.
                                  \nHelmut Newton\u2019s fashion photography was graphic, erotic and hard edged.<\/p>\n

                                  The 1970\u2019s also witnessed a greater influence of Black culture and fashion.<\/p>\n

                                  Some of the designers most associated with the era are: –<\/p>\n

                                  \n
                                    \n
                                  • Yves St Laurent<\/li>\n
                                  • Ted Lapidus<\/li>\n
                                  • Calvin Klein<\/li>\n
                                  • Jean Patrou<\/li>\n
                                  • Nina Ricci<\/li>\n
                                  • Pierre Cardin<\/li>\n
                                  • John Bates<\/li>\n
                                  • Sonia Rykiel<\/li>\n
                                  • Thierry Mugler<\/li>\n
                                  • Vivienne Westwood and Malcolm McLaren<\/li>\n
                                  • Roy Halston<\/li>\n
                                  • Geoffrey Beene<\/li>\n
                                  • Bill Blass<\/li>\n
                                  • Ralph Lauren<\/li>\n
                                  • Jean Muir<\/li>\n
                                  • Barbara Hulanicki<\/li>\n
                                  • Karl Lagergeld<\/li>\n
                                  • Andre Courreges<\/li>\n
                                  • Zandra Rhodes<\/li>\n
                                  • Jean Allen<\/li>\n
                                  • Laura Ashley<\/li>\n
                                  • Mary Quant<\/li>\n
                                  • Jamie Reid<\/li>\n
                                  • Ossie Clark<\/li>\n<\/ul>\n<\/div>\n

                                    * For precise and fast reference see Fashion Source Book-The 1970\u2019s by Peacock.<\/p>\n

                                    Film, TV, Literature and Arts<\/strong><\/p>\n

                                    The early 1970 witnessed the break up of the Beatles and John Lennon marries Yoko Ono. Yoko Ono in some respects represented the contemporary art scene. The Grolier Year book explains the phenomena as: –
                                    \n\u201cThe stress today on kinetic [moving] art, shifting, kaleidoscopic patterns of light, illusory \u201cop\u201d art, \u201cunfinished\u201d works, transitory \u201chappenings\u201d, and creations consisting of several pieces that can be moved about and reassembled into other forms \u2026\u2026\u2026. \u201cAudience participation\u201d by means of which the artist can involve others as partners in his act of creation. The year 1971 saw many exhibitions of these kinds of modern art\u201d
                                    \nAn excellent example perhaps being \u201csilence \u201c at the Camden Arts Centre by Leoplaldo Maler.Pop Art was in vogue and Andy Warhol and Bridget Riley were amongst the major exponents.<\/p>\n

                                    During the 1970\u2019s Hollywood countered TV with high grossing mass appeal blockbusters. Actors were accorded high public status. There were many memorable films.<\/p>\n

                                    The 1970s is an interesting decade to interpret through film. As the decade it self there is considerable polerisation start to finish. The attached list records some of the most memorable whilst recording the role of the Esprit in the 1977 \u201cThe Spy Who Loved Me\u201d [see A&R articles on James Bond &Lotus connection] Motor sport also featured in 1971 Le Mans with Steve McQueen.
                                    \nClint Eastwood in the \u201cDirty Harry\u201d series perhaps reflected a reaction against corporatism and increasing bureaucracy and corruption.
                                    \nAt the start of the decade there was Love Story, Ryan\u2019s Daughter and The Go Between.
                                    \nBritain was well represented in film by Ken Russell [enfant terrible] with his Women in Love, The Music Lovers and The Devils.
                                    \nEuropean directors made several memorable films including Death in Venice, Tristana, The Rite, and The Touch.<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                                    FILMS OF THE 1970’s<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    Year<\/td>\nTitle<\/td>\n<\/td>\nYear<\/td>\nTitle<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1970<\/p>\n<\/td>\n

                                    Butch Cassidy and the S’<\/td>\n\n

                                    1973<\/p>\n<\/td>\n

                                    Coffy<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1970<\/p>\n<\/td>\n

                                    Woodstock<\/td>\n<\/td>\n\n

                                    1974<\/p>\n<\/td>\n

                                    Texas Chain Saw Massac’<\/td>\n<\/tr>\n
                                    \n

                                    1970<\/p>\n<\/td>\n

                                    M.A.S.H.<\/td>\n<\/td>\n\n

                                    1974<\/p>\n<\/td>\n

                                    Blazing Saddles<\/td>\n<\/tr>\n
                                    \n

                                    1970<\/p>\n<\/td>\n

                                    Performance<\/td>\n<\/td>\n\n

                                    1975<\/p>\n<\/td>\n

                                    Jaws<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1971<\/p>\n<\/td>\n

                                    Death in Venice<\/td>\n\n

                                    1975<\/p>\n<\/td>\n

                                    Monty Python and the ‘<\/td>\n<\/tr>\n
                                    \n

                                    1971<\/p>\n<\/td>\n

                                    Le Mans<\/td>\n<\/td>\n\n

                                    1975<\/p>\n<\/td>\n

                                    One Flew Over the Cuck’<\/td>\n<\/tr>\n
                                    \n

                                    1971<\/p>\n<\/td>\n

                                    A Clock Work Orange<\/td>\n\n

                                    1976<\/p>\n<\/td>\n

                                    Taxi Driver<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1971<\/p>\n<\/td>\n

                                    Klute<\/td>\n<\/td>\n\n

                                    1976<\/p>\n<\/td>\n

                                    The Outlaw Josey Wales<\/td>\n<\/tr>\n
                                    \n

                                    1971<\/p>\n<\/td>\n

                                    Get Carter<\/td>\n<\/td>\n\n

                                    1976<\/p>\n<\/td>\n

                                    The Man who Fell to Earth<\/td>\n<\/tr>\n
                                    \n

                                    1971<\/p>\n<\/td>\n

                                    Shaft<\/td>\n<\/td>\n\n

                                    1977<\/strong><\/p>\n<\/td>\n

                                    The Spy Who Loved Me<\/strong><\/td>\n<\/tr>\n
                                    \n

                                    1971<\/p>\n<\/td>\n

                                    Dirty Harry<\/td>\n<\/td>\n\n

                                    1977<\/p>\n<\/td>\n

                                    Star Wars<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1971<\/p>\n<\/td>\n

                                    Straw Dogs<\/td>\n<\/td>\n\n

                                    1977<\/p>\n<\/td>\n

                                    Close Encounters ‘<\/td>\n<\/tr>\n
                                    \n

                                    1972<\/p>\n<\/td>\n

                                    Cabaret<\/td>\n<\/td>\n\n

                                    1977<\/p>\n<\/td>\n

                                    Annie Hall<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1972<\/p>\n<\/td>\n

                                    Last Tango in Paris<\/td>\n\n

                                    1977<\/p>\n<\/td>\n

                                    Saturday Night Fever<\/td>\n<\/tr>\n
                                    \n

                                    1972<\/p>\n<\/td>\n

                                    High Planes Drifter<\/td>\n\n

                                    1978<\/p>\n<\/td>\n

                                    The Dear Hunter<\/td>\n<\/tr>\n
                                    \n

                                    1972<\/p>\n<\/td>\n

                                    The Godfather<\/td>\n\n

                                    1978<\/p>\n<\/td>\n

                                    Grease<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1972<\/p>\n<\/td>\n

                                    The Discreet Charm of ‘<\/td>\n\n

                                    1978<\/p>\n<\/td>\n

                                    Shaolin Master Killer<\/td>\n<\/tr>\n
                                    \n

                                    1973<\/p>\n<\/td>\n

                                    The Sting<\/td>\n<\/td>\n\n

                                    1979<\/p>\n<\/td>\n

                                    Alien<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1973<\/p>\n<\/td>\n

                                    Enter the Dragon<\/td>\n\n

                                    1979<\/p>\n<\/td>\n

                                    Apocalypse Now<\/td>\n<\/tr>\n
                                    \n

                                    1973<\/p>\n<\/td>\n

                                    Don\u2019t Look Now<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1973<\/p>\n<\/td>\n

                                    The Mother & the Whore<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                                     <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                                    Books of the 1970’s<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1970<\/p>\n<\/td>\n

                                    Papillon<\/td>\n<\/td>\nH.Charriere<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1970<\/p>\n<\/td>\n

                                    Female Eunuch<\/td>\nG.Greer<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1971<\/p>\n<\/td>\n

                                    The Day of the Jackal<\/td>\nF.Forsyth<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1973<\/p>\n<\/td>\n

                                    Gravitys Rainbow<\/td>\nT.Pynchon<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1974<\/p>\n<\/td>\n

                                    Watership Down<\/td>\nR.Adams<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1974<\/p>\n<\/td>\n

                                    Tinker,Taylor,soldier,Spy<\/td>\nJ.Le Carre<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1975<\/p>\n<\/td>\n

                                    The History Man<\/td>\nM.Bradbury<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1975<\/p>\n<\/td>\n

                                    A Dance to the music of T<\/td>\nA.Powell<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1975<\/p>\n<\/td>\n

                                    Shogun<\/td>\n<\/td>\nJ.Clavell<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1976<\/p>\n<\/td>\n

                                    Roots<\/td>\n<\/td>\nA.Haley<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1978<\/p>\n<\/td>\n

                                    Hitchhikers Guide to the G’<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1978<\/p>\n<\/td>\n

                                    The world according to Ca’<\/td>\nJ.Irving<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                    \n

                                    1979<\/p>\n<\/td>\n

                                    Sophie’s Choice<\/td>\nW.Styron<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                                    Musicals<\/strong><\/p>\n

                                      \n
                                    • \n
                                      Lloyd Webbers\u2019s musical \u201cJesus Christ Superstar<\/div>\n<\/li>\n
                                    • \n
                                      Godspell<\/div>\n<\/li>\n<\/ul>\n

                                      Major Cultural Exhibitions of the Decade<\/strong><\/p>\n

                                        \n
                                      • \n
                                        1972-Tutankhamun Exhibition at British Museum<\/div>\n<\/li>\n
                                      • \n
                                        1973-Chinese Exhibition at Royal Academy<\/div>\n<\/li>\n
                                      • \n
                                        1978-The gold of El Dorado at Royal Academy<\/div>\n<\/li>\n<\/ul>\n

                                        TV Programmes<\/strong><\/p>\n

                                          \n
                                        • \n
                                          Two Ronnie\u2019s<\/div>\n<\/li>\n
                                        • \n
                                          I Claudius<\/div>\n<\/li>\n
                                        • \n
                                          Rising Damp<\/div>\n<\/li>\n
                                        • \n
                                          Faulty towers<\/div>\n<\/li>\n
                                        • \n
                                          To he Manor Born<\/div>\n<\/li>\n
                                        • \n
                                          Porridge<\/div>\n<\/li>\n
                                        • \n
                                          Colditz<\/div>\n<\/li>\n
                                        • \n
                                          A Family at War<\/div>\n<\/li>\n
                                        • \n
                                          Aquarius<\/div>\n<\/li>\n
                                        • \n
                                          Charles Angels<\/div>\n<\/li>\n
                                        • \n
                                          Six Million Dollar Man<\/div>\n<\/li>\n
                                        • \n
                                          Kojak<\/div>\n<\/li>\n
                                        • \n
                                          Casanova<\/div>\n<\/li>\n
                                        • \n
                                          The Onedin Line<\/div>\n<\/li>\n
                                        • \n
                                          Elizabeth R<\/div>\n<\/li>\n
                                        • \n
                                          Play for to-day<\/div>\n<\/li>\n
                                        • \n
                                          Pennies from Heaven<\/div>\n<\/li>\n
                                        • \n
                                          The Sweeney<\/div>\n<\/li>\n
                                        • \n
                                          The Good Life<\/div>\n<\/li>\n
                                        • \n
                                          The Fall and Rise of Reggie Perrin<\/div>\n<\/li>\n<\/ul>\n

                                          Architecture and Construction<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                                          Dates<\/td>\nBuilding\/Design etc<\/td>\nLocation<\/td>\nArchitect\/Designer<\/td>\n<\/tr>\n
                                          \n

                                          1970<\/p>\n<\/td>\n

                                          Genoa-Livorno Autostrada<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1970<\/p>\n<\/td>\n

                                          Metropolitan Cathedral<\/td>\nBrasilia<\/td>\nNiemeyer<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1970<\/p>\n<\/td>\n

                                          IBM Offices, Havant<\/td>\nUK<\/td>\nFoster Ass<\/td>\n<\/td>\n<\/tr>\n
                                          1970-80<\/td>\nByker Housing Estate<\/td>\nNew Castle<\/td>\nRalph Erskine<\/td>\n<\/tr>\n
                                          \n

                                          1971<\/p>\n<\/td>\n

                                          Barbican Centre [start]<\/td>\nLondon<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1971<\/p>\n<\/td>\n

                                          Aswan Dam, Nile<\/td>\nEgypt<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1971<\/p>\n<\/td>\n

                                          Louisiana Superdome<\/td>\nUSA<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1971<\/p>\n<\/td>\n

                                          San Cataldo Cemetery<\/td>\nModena<\/td>\nAldo Rossi<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1972<\/p>\n<\/td>\n

                                          Art Museum, Kitckyushu<\/td>\nJapan<\/td>\nArata Isozaki<\/td>\n<\/tr>\n
                                          \n

                                          1972<\/p>\n<\/td>\n

                                          Transamerica Pyramid<\/td>\n<\/td>\nPereira Ass<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1972<\/p>\n<\/td>\n

                                          Bianchi House, Riva San V’<\/td>\n<\/td>\nMario Botta<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1972<\/p>\n<\/td>\n

                                          Old Bailey Extension<\/td>\nLondon<\/td>\nMcMorran& Whitby<\/td>\n<\/tr>\n
                                          1972-77<\/td>\nPompidou Centre<\/td>\nParis<\/td>\nPiano & Rogers<\/td>\n<\/tr>\n
                                          \n

                                          1973<\/p>\n<\/td>\n

                                          World Trade Centre<\/td>\nNew York<\/td>\nYamasaki<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1974<\/p>\n<\/td>\n

                                          Sears Tower<\/td>\n<\/td>\nChicago<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1975<\/p>\n<\/td>\n

                                          Cement Works<\/td>\nBarcelona<\/td>\nBofill<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1975<\/p>\n<\/td>\n

                                          Willis, Faber &Dumas office<\/td>\nIpswich<\/td>\nFoster Ass<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1975<\/p>\n<\/td>\n

                                          Amundsen-Scott Station<\/td>\nSouth Pole<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1975<\/p>\n<\/td>\n

                                          CN Tower, Toronto<\/td>\nCanada<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
                                          1975-79<\/td>\nAthenaeum, Indiana<\/td>\nUSA<\/td>\nRichard Meier<\/td>\n<\/tr>\n
                                          \n

                                          1976<\/p>\n<\/td>\n

                                          National Theatre<\/td>\nLondon<\/td>\nD.Lusdun<\/td>\n<\/td>\n<\/tr>\n
                                          1977-84<\/td>\nNeue Staatsgalerie<\/td>\nStuttgart<\/td>\nStirling & Wilford<\/td>\n<\/tr>\n
                                          \n

                                          1977<\/p>\n<\/td>\n

                                          Sainsbury Centre, Norwich<\/td>\nUK<\/td>\nFoster Ass<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1977<\/p>\n<\/td>\n

                                          Gehry Residence Los Ang’<\/td>\n<\/td>\nFrank Gehry<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1978<\/p>\n<\/td>\n

                                          National Gallery<\/td>\nWashington<\/td>\nPei<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1978<\/p>\n<\/td>\n

                                          House at New Castle<\/td>\nDelaware<\/td>\nVenturi<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1978<\/p>\n<\/td>\n

                                          Abraxas Housing Develop<\/td>\n<\/td>\nBofill<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1978<\/p>\n<\/td>\n

                                          House of the Architect<\/td>\n<\/td>\nFrank Gehry<\/td>\n<\/td>\n<\/tr>\n
                                          \n

                                          1979<\/p>\n<\/td>\n

                                          2,4,6,88 House<\/td>\nLos Angel’<\/td>\nMorphosis Ass.<\/td>\n<\/tr>\n
                                          \n

                                          1979<\/p>\n<\/td>\n

                                          Transco Tower, Houston<\/td>\nUSA<\/td>\nJohnson & Burgess<\/td>\n<\/tr>\n
                                          1979-86<\/td>\nHK&SB<\/td>\n<\/td>\nHong Kong<\/td>\nFoster Ass<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                                          <\/strong>The Proposed CCM&EC<\/strong><\/p>\n

                                          The proposed museum believes that commercial considerations are both necessary and complementary with its educational objectives.
                                          \nFor these reasons our Business Plan includes provision for promoting products and services which share Chapman\u2019s ideals of mechanical efficiency and sustainability. In addition we propose merchandising that explain and interprets the social and cultural context of Chapman\u2019s designs in period. Its suggested there will be catalogue for on line purchasing.
                                          \nIn particular exhibitions have a dual education and commercial role. Exhibitions provide the opportunity for merchandising in the widest context. This article has been developed with thought to maximizing merchandising.<\/p>\n

                                          Conclusion<\/strong><\/p>\n

                                          This article has been deliberately lengthy. It was felt that the subject was worth it. Colin Chapman and Lotus have somewhat been the subject of denigration since DeLorean and this is unfortunate as it distorts the facts and achievement. This article has been written to achieve an objective balance and to explain wider cultural concepts and how Chapman and Lotus made a dynamic interaction.
                                          \nIt is hoped that our subscribers and particularly those not privileged to have lived through the era will better understand the profound forces of change that occurred and how Chapman succeeded in dictating the speed of change.
                                          \nChapman and his engineering supporters designed and constructed in an extremely difficult medium. It was not passive and performing on a single or limited range of functions. The requirement of the motorcar through its range as result of physical forces is enormous. They increase with speed, as does the need for safety. Not only was Chapman an engineer he was cultured man with finely developed aesthetic that would not allow him to produce ugliness .He would only accept elegance and functionalism harmonized.
                                          \nWhen we assess his achievements against others this should never be overlooked.
                                          \nIn the A&R editors minds there is little doubt that Chapman was one of the foremost engineers and Industrial designers of the second half of the 20c. This achievement has been possibly masked by the fact that he was too busy in the process of creation and allowed winning to be his judge. It\u2019s possible too those arbitrators of taste have struggled with an understanding of engineering and have preferred to elevate more modest and less complex pieces of machinery.
                                          \nThis article has also been constructed with the view to a thorough and detailed exhibition that is felt long overdue.
                                          \nAchievement and status like many things are capable of manipulation. To ignore or denigrate Chapman\u2019s achievement is counterproductive in Britain today desperately needing to produce engineers capable of providing innovation and employment.<\/p>\n

                                          In future issues we will explore the remaining decades. The A&R feels that one of the greatest omissions of authors writing about Lotus is the lack of the financial and economic analysis of the operation. The A&R will commit to this and if needed will make constructive models or projections and extrapolations based on known facts to better understand and interpret Lotus achievements. Not least will be that of exports. The analysis in the form of forensic accounting will enable analysis of profitability, productivity and Chapman as the entrepreneur; responding to changing markets and times; and not least on many occasions fighting for survival.<\/p>\n

                                          The editors have attempted a fair assessment of the era .We have tried to avoid antidote but welcome contributions as this might provide the experience that can bring such a study alive. Such contributions would be sought to complement any exhibition.<\/p>\n

                                          Reference:<\/strong>
                                          \nBritish Design Since 1880.Fiona MacCarthy.Lund Humphries.1982
                                          \nSBN: 853314470
                                          \nCollecting the 1970\u2019s. Katherine Higgins.Millers.2005
                                          \nISBN: 1845331400
                                          \nThe Style of the Century. Bevis Hillier. Herbert Press.1998
                                          \nISBN: 1871569931
                                          \nDesign Since 1945. Thames and Hudson.1983
                                          \nISBN:0500013241
                                          \nIndustrial Design
                                          \nDavid Mellor \u2013Design.Teleri Lloyd-Jones. Antiques Collectors Club .2009
                                          \nISBN: 9781851496037
                                          \nA Century of Design. Penny Sparke.Mitchell Beasley.1998.
                                          \nISBN: 1840000007
                                          \nBritish Auto Legends.M.Zumbrunn.Merrell.2007.<\/em>
                                          \nISBN: 9781858944944<\/em>
                                          \nGreat Cars of the 20th Century.Brown.Langworth.Publications International.1991
                                          \nISBN:0831739355
                                          \nThe Car Book. Dorling Kindersley.2012<\/em>
                                          \nISBN: 9781409378716
                                          \nArchitecture.K.Richter.Prestel.2001.
                                          \nISBN: 3791325868
                                          \n70 Wonders of the Modern World. Readers digest.
                                          \nISBN: 02764223801
                                          \nArchitecture Source Book. Vernon Gibberd.Grange .1997
                                          \nISBN: 184013822X
                                          \nArchitecture. Borden, Taylor etc. Herbert press.2008
                                          \nISBN: 9780713688399
                                          \n100 houses.Taschen.2004.
                                          \nISBN: 3822863122
                                          \nSpecialist Sports Cars. Richard Heseltine.Haynes.2001.<\/em>
                                          \nISBN: 1859606903<\/em>
                                          \nThe A&R articles on Industrial Designers.
                                          \nDesign of British Industry by Richard Stewart. Published by John Murray 1987 [ISBN 071954294
                                          \nBritain in the Seventies. Ronald Allison.1980.Hamlyn.
                                          \nISBN:
                                          \n20th Century Fashion. John Peacock. Thames and Hudson.1993.
                                          \nISBN: 0500015643
                                          \nFashion Source Book- The 1970\u2019s.John Peacock. Thames &Hudson1997.
                                          \nISBN:0500279721
                                          \n20thc Fashion. Linda Watson.Carlton.2003
                                          \nISBN: 1842227262
                                          \n100 Ideas That Changed Fashion. Harriet Worsley.Laurence King.2011<\/em>
                                          \nISBN: 9781856697330<\/em>
                                          \nColin Chapman :Inside the Innovator by Karl Ludvigsen*<\/em>
                                          \nThe Lotus Book by William Taylor*<\/em>
                                          \nThe Year Book 1972 \u2013a record of the events, developments, and personalities of 1971. Grolier.1972
                                          \nISBN:0717278034<\/p>\n

                                          * And italics Copies in Archive and Resource library.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

                                          Lotus: Design Decades: 1970 -1979 Introduction This series has been created specifically by the A&R to explore how wider social and cultural events and design interacted. In particular it seeks to demonstrate the extent that Lotus designs influenced taste, fashion, identity and impacted on the world stage. The additional purposes and opportunities are: Looking at […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":280,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_mi_skip_tracking":false,"footnotes":""},"_links":{"self":[{"href":"http:\/\/www.colinchapmanmuseum.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/236"}],"collection":[{"href":"http:\/\/www.colinchapmanmuseum.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.colinchapmanmuseum.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.colinchapmanmuseum.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.colinchapmanmuseum.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=236"}],"version-history":[{"count":4,"href":"http:\/\/www.colinchapmanmuseum.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/236\/revisions"}],"predecessor-version":[{"id":721,"href":"http:\/\/www.colinchapmanmuseum.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/236\/revisions\/721"}],"up":[{"embeddable":true,"href":"http:\/\/www.colinchapmanmuseum.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/280"}],"wp:attachment":[{"href":"http:\/\/www.colinchapmanmuseum.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}